walking

[Sancread to Crows-an-wra]



Wandelt sich rasch auch die Welt

wie Wolkengestalten,

alles Vollendete fällt

heim zum Uralten

R M Rilke

Sonnets to Orpheus I, 19

lines 1 - 4



1 “Wandelt sich rasch auch die Welt”


Space is hard.

Voice lacks continuing gesture.


Landscape dominance, perspective hesitation.


Solidarity through similarity,

Human the state of circumstantial nature –


we cease to perceive

the quality of senses –


the listener a locus of imposed morphology

to accommodate description, or a hill;

equivocal certainty of interpretation


the human doing

violence to

the recognisable


The indicative a factory of transformation



2 "wie Wolkengestalten"


Formalised threats are saturated by the normal…


A glance between the curtain and some herbivores

counterpoints eternity and experience –

morphological variation



3 "alles Vollendete fällt"


Perceptual ideology moves heavy creatures.

The motion is partly circular;

making all directions regular;

each crossing, internally,

the framing; the movement scenery,

high-frequency broad spectrum emissions

a sequence distancing explosive glossolalia

falling in and out of illumination,

primary substance of the spatial



4

the garden would be heuristic



5 "heim zum Uralten"


Bodies contextualise time –


rotation between multiple ambiguities –


humanity without sentient form,

timbre of the accidental, attempts

to experience the transformational


a priori







published in Bad Press # 2